Ask and it is given success stories
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Unlike a Deus Ex Machina ending, where everything is suddenly and abruptly resolved, this is an ending that fits with the themes and plot of this book. With this ending, García Márquez effectively ends all hope of a sequel by destroying the entire town and killing off all the characters. īefore reaching the final line, however, he had already understood that he would never leave that room, for it was foreseen that the city of mirrors (or mirages) would be wiped out by the wind and exiled from the memory of men at the precise moment when Aureliano Babilonia would finish deciphering the parchments, and that everything written on them was unrepeatable since time immemorial and forever more, because races condemned to one hundred years of solitude did not have a second opportunity on earth. In his Nobel Prize-winning book, García Márquez intertwines the tale of the Buendia family and the small town where they live, from its creation until its destruction. Gabriel García Márquez’s One Hundred Years of Solitude provides a great example of a resolved ending. There is nothing more to tell because the characters’ fates are clearly presented to the reader. A resolved ending answers all the questions and ties up any loose plot threads. Resolved Ending (image: Harper Perennial Modern Classics) Understanding the most common ways other writers end stories will help you no matter which approach you’d like to take, so let’s examine some of the most common types of endings out there, and why they work.Ĭlick to tweet! 1. (Just make sure that your subverted endings are still true to the characters, plot, and themes that you’ve established, lest you give readers such a curve ball that they won’t be able to follow what you were going for!) And of course, your theme and the takeaway you want readers to have will determine whether subverting or meeting their expectations is likely to go over well. Children are going to have quite a different set of expectations from a book than adult readers. If you’re following the Hero’s Journey true to form, your protagonist will end up back in the same location that they started from, but transformed by their experiences. In genre, for example, there are many people who don’t consider something a true romance book until it ends with a happily ever after (or at least a “happy for now”). However, writers must consider reader expectations - and whether their story is best served by meeting or subverting those expectations.Ī few things to consider when trying to determine reader expectations are: Art is subjective, after all, and every reader will like different things. Of course there’s no universally right or wrong endings.
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While the start of your story might convince people to read your book in the first place, the end is what will determine if they turn from a reader into a fan. If they are dissatisfied at the closing of the final chapter, they won’t likely read it again or share it with others. The ending has an enormous impact on how (and if) readers will remember your book in years to come. Six Types of Endings (and what they're used for)